As rumor mongers and industry observers speculated Thursday about Sabato De Sarno’s potential successor at Gucci, is it Kim? Is it Hedi? Is it Maria Grazia?

Kering shares rose 5.1% to 251.90 euros as the stock market reacted to the news about the Prince of Venice. Some analysts were surprised, others less so, that Gucci decided to end its collaboration with its creative director less than three weeks before its fall 2025 show in Milan, specifying that the show would be presented by the brand’s design team.

The statement simply said that the new creative direction would be announced in due course. Sarno’s departure has fueled speculation that Hedi Slimane has reportedly bought an apartment in Milan since leaving Celine last year.

In addition to Dario Vitale, who left his position as Miu Miu’s ready-to-wear design director in late January, Versace is also said to be interested in him. Maria Grazia Chiuri is also reportedly a potential candidate to succeed De Sarno, who is returning to Giorgia Meloni’s homeland.

Serge Brunschwig has left LVMH, the intellectual and affable French executive. He made the announcement on his LinkedIn account, with a message beginning: ‘Au revoir hashtag#LVMH’.  Then #bonjour CEO of Jil Sander and OTB Group. Humour that will not have escaped the lord.

He would succeed Luca Lo Curzio, who left Jil Sander in November. Brunschwig is also expected to be appointed Chief Strategy Officer of OTB Group, parent company of Jil Sander, reporting to Ubaldo Minelli, CEO of the Italian fashion company.

The French-born Minelli spent three decades at LVMH as CEO of Fendi, where he was replaced by Pierre-Emmanuel Angeloglou in June 2024. At the time, LVMH spokespeople explained that he was ‘pursuing another mission within the group’. Promises are only binding on those who listen to them.

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Kim Jones has decided to leave his position as artistic director of men’s collections after seven-year run. The development is sure to further fuel speculation that Loewe fashion star Jonathan Anderson may soon be installed at Dior. Dior needs newness to recapture clients attention.

The luxury industry is all about creativity, product appeal and desirability . “There is a reason why creative directors are paid what they are.”

The British designer‘s resignation came one week after he paraded Dior’s fall 2025 menswear on a minimalist set of grand, white staircases and was decorated as a Knight of the Legion of Honor, France’s highest civilian decoration by the Wintour ! don’t understand by Anna a american lady. Jones and the next goal Chanel why not…

Three months ago, Jones also stepped down at Fendi after an eventful four-year collaboration that saw the Roman house dabble with collaborations . In his absence, Silvia Fendi is now overseeing all the collections until a successor is named. Perhaps Jones simply wants some peace and quiet and a well-deserved retirement from this crazy world. When you left the prince of Luxury, no country for old men.

Iroquois haircuts, also known as Mohawk, are a bold and distinctive hairstyle.  ‘Yes, it’s a cross between a punk and a monk disguised as a hedgehog, the Iroquois, this haircut could have been a symbol of war status, a message to the Lord of luxury the big Bernard, perhaps!

But these dresses are to be found in the collections of many museums around the world. They have a specific name, they were called court dresses, or corpse dresses, according to the ceremonial dress of the European courts of the 18th century, they symbolised social rank, wealth and power, and that hasn’t changed much.

It was Louis XIV, the Sun King, who contributed to its design around 1680. It consisted of a rigid whalebone bodice laced at the back, a crinoline skirt and separate sleeves. It also included a train worn either at the waist or falling from the shoulders, but the Maria prefers without a train to admire the world origin of ‘courbet’, a visit under the girls’ dresses, a must.

Kim Jones, under a black tent, like the sadness of the world, with a white staircase as a backdrop, Potemkin staircase style, a stripped-down décor to better highlight the fabrics and the construction of the fundamentals that distinguish the luxury of clothes as opposed to those of Zara. From a distance, looks are uncluttered, monochrome, sober at first glance, like this monastic black coat worn with a Yamamoto-style long skirt – the Catholicism is back. But if you zoomed in on the details, which even the front row had trouble seeing, you could spot details like these glass beads scattered like raindrops on the shoulders of a navy blue suit, the tears of luxury perhaps!

Diving into the archives makes sense at a time when many designers are redoubling their efforts to win back luxury consumers disappointed by the poverty of creations, because high-end basics ranging from €800 t-shirts to €4,500 coats are no longer in vogue, and at these prices, they’d better please. That’s probably why the more streamlined designs are given a touch of originality, often drawn from the women’s fashion lexicon of the old haute couture school.

Pharrell Williams, standing next to his longtime friend Nigo, two of the most influential tastemakers in streetwear, from the launch of their Billionaire Boys Club brand to their first eyewear design for Vuitton in 2004, to ongoing projects such as Nigo’s Human Made brand and Williams’ auction platform Joopiter, nigo and Williams to destroy Louis Vuitton.

Only at the top of the Louvre’s luxury pyramid, Nigo, “who means Goofi” in French, 54, took over the helm of Kenzo in 2021, and Williams, 51, was named artistic director of menswear at Vuitton in 2023, both young designers.

The collection they unveiled Tuesday in a mirror box in the courtyard of the Louvre, through a clothing vault filled with archive models, for a collection sprinkled with references and winks to the past, for a Vuitton men’s fashion that has no history!

A study varsity jacket that Williams never made, cherry blossom pink and leopard-print jeans, Williams’ bubblegum aesthetic, pink and the new black.

With the wool in a glass case at the entrance, huge screens showing numerous flocks of sheep and a backdrop reproducing mounds of green grass, the focus was clear, I thought at one point it was a nod to the new American.

Proenza Schouler founders Jack McCollough and Lazaro Hernandez, who are stepping down as creative directors of the brand they founded in 2002.

Their exit is effective Jan. 31 They are widely expected to succeed Jonathan Anderson at the creative helm of Spanish luxury house Loewe, owned by LVMH Moët Hennessy Louis Vuitton, clearing the way for Anderson to eventually take up a creative role at Dior, as has been reported.

The Proenza Schouler duo have long been on the radar of top European fashion houses. Valentino Fashion Group took a stake in Proenza Schouler in 2007. Four years later, a group of backers led by John Howard and Andrew Rosen bought most of Valentino’s position.

Then in 2018, Mudrick Capital Management led the designers’ buyback of their company. According to sources, LVMH has held discussions with McCollough and Hernandez over the years about joining one of its marquee fashion houses, which include Dior, Louis Vuitton, Givenchy and Fendi.

I am not a film critic, and yet, after last night’s shock, I am going to tell you about Jacques Audiard latest nuggets that will change French cinema and bring it, like the New Wave in its time, into another dimension. The film “Emilia Perez” stands out for the complexity of its plot, centered on the personal transformation of its protagonist. The film explores in depth the journey of “Manitas Del Monte”, a cartel leader who has aspired to become a woman since childhood, and who, with the help of her lawyer Rita, begins a transition to become Emilia.

This transformation is much more than a simple physical change; it represents a quest for identity and redemption. Manitas, played by Karla Sofía Gascón, must navigate the emotional and social challenges of her transition, while facing the consequences of her criminal past.

The film explores themes such as self-acceptance, overcoming prejudice and finding inner peace. But the complexity of the plot also lies in the relationship between Emilia and Rita, played by Zoe Saldana. Their dynamic evolves over the course of the film, from a professional relationship to a deep friendship, marked by understanding and mutual support. This relationship is a central pillar of the story, illustrating how empathy and solidarity can help overcome personal obstacles. The subject it addresses: can we become a better soul by changing sex? Is redemption possible?

Isak Andic, non-executive chairman and founder of Mango, died Saturday. The Spanish retailer’s chief executive officer Toni Ruiz confirmed that the cause of death was an accident.

Andic was 71 years old. According to media reports, Andic died falling almost 500 feet in a cave of the Montserrat mountain range near Barcelona, in Catalunya, Spain, during an excursion with his family. We extend our deepest condolences to his family.

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