The Balenciaga show was riotously fun, blurring the lines between fashion and entertainment; thawing the icy, impassive image of the Balenciaga brand, and further solidifying Demna Gvasalia’s position as one of the industry’s most original and unpredictable thinkers.
The “Théâtre du Châtelet” had all the trappings of awards season in Hollywood: howling photographers, efficient handlers, and a steady stream of attention-seeking guests. All of this was broadcast inside the venue on a giant screen as if it were Césars, the night of the Césars, a kind of French Oscar, usually at the Chatelet theater . Continue reading