It is in the brand new Louis Vuitton fondation looking like a large futurist clould ship, designed by the architect Frank Gehry that the fashion designer Nicolas Ghesquière presented his Spring-Summer 2015 collection which is a combination of the 70’s and fiction .
The light of the autumn sun reflected in the large sails of glass and steel that make up the building, located in the Bois de Boulogne in Paris. The eyes have to get used to the darkness that prevails in the room where the stars parade. Faces filmed in close-deliver messages of science fiction.
“The public is asked to sit in a place that does not exist yet, a vessel with a gigantic wooden (…) that serves as an incubator and stimulates creative minds,” set forth the faces . The parade starts with “The Sound of Silence” by Simon and Garfunkel, as of 1966.
The 1970s fashion, often called the “Me Decade”, began with a continuation of the mini skirts, bell-bottoms, and the androgynous hippie look from the late Continue reading
He is known for his astute craftsmanship and unique play on colors, such as his trademark palette of PINK and GOLD.
Christine Phung fashion shows was an exceptional and magic moments. The Paris Fashion week is a land of imagination. Many will speak of it as legend, as fantasy or even more as mythology. That is perfectly true.
Starting with vintage photography and illustrations of sporting fashion models from the 1950s, the Amsterdam-based artist Hinke Schreuders applies a rich layer of hand-stitched embroidery, beading, lace, and flourishes of ink to entirely new images that can be both unsettling and exuberant. The pieces seen here are part of an ongoing series called “Works on Paper”, started in 2008. Schreuders says she seeks to “subtly confuse notions of feminine vulnerability and reinforce the position of embroidery as an artistic medium.” Something I think we can all agree she has done masterfully.
The Iconic fashion house, Louis Vuitton, introduces its new Emprise jewelry and watch collection with this trippy short named after the line, which explores Parisian origins of the range by taking the viewer through a seemingly never-ending labyrinth of rooms.
