Nicolas Ghesquière continues his architectural research, and thus introduces us to the crazy heritage of Antoni Gaudí; genius who appropriated an Art Nouveau, which we call here in Spain, “Modernism”. The edges and columns are like organisms, which one might believe, almost alive, and the colors reveal and spread in handfuls the swarm of their perfumes.

Between structured “tailoring” and flamboyant silhouettes sublimated with dark earths, Nicolas imbues his creative universe with Spanish influences, highlighting the contours of a look that Moschino, in his time, had sketched. Slightly tilted riding hats, on coats and dresses with lines and curves, of an Andalusian with browned breasts, pale as a beautiful autumn evening, when by pulling her silk stocking, she bends her side and cracks her satin corset, as Alfred de Musset might have said.